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Curriculum
Vitae
Goody-B Wiseman
Education |
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2005
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San Francisco
Art Institute, San Francisco, California,
MFA, New Genres |
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2000 |
Nova Scotia
College of Art and Design, Halifax, Nova Scotia, Canada
BFA Major in Fine Art |
Solo
Exhibitions
(selected) |
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2007 |
Theatre
of Operations, Mandarin Gallery, Los Angeles, CA (with
David Askevold) |
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2006 |
I
Love You More Than Life Itself (and That's Not Saying Much),
Second Gallery, Boston, MA |
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2005 |
I
Will Destroy Anything, 415-309-0475, Mandarin Gallery,
Los Angeles, CA (Catalog) |
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2005 |
MFA Thesis
Exhibition, SFAI, Fort Mason center for the Arts, San Francisco,
CA |
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2004 |
Cautionary
Tale, ARTsPLACE, Annapolis Royal, Nova Scotia, Canada |
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2003 |
Yours,
Goody-B. Wiseman , Diego Rivera Gallery, San Francisco, CA |
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2002 |
For
a Good Time, The Bathroom Gallery, Halifax, Nova Scotia |
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2001 |
Recent
Work, Argyle Fine Art, Halifax, Nova Scotia, Canada |
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2001 |
I
Will Break Your Fucking Heart, Hyper-Feminine and
the Good Music Show solo exhibition and month long residency
at Struts Gallery, Sackville, NB, Canada including performances
and Music with Gordon B Isnor |
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2000 |
FREE
KITTENS, Anna Leonowens Gallery, Halifax, Nova Scotia,
Canada, a collective with
Cooper Battersby, Emily Vey Duke, Stephen Ellwood, and Paul Greenlaw |
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1999 |
Superlovestarpower,
Anna Leonowens Gallery, Halifax, Nova Scotia, Canada |
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1998 |
Cleaning
/ Paint, Eyelevel Gallery, Halifax, Nova Scotia, Canada
/// partially reinstalled at Confederation Center for the Arts,
Charlottetown, PEI, Canada. As part of a residency organized by
Cliff Eyland |
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| Group
Exhibitions and Screenings (selected) |
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2008 |
Rencontres Internationales Madrid 2008, Reina Sofia Museum, Madrid, Spain |
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Signals: Mash Up, Orange County Museum of Art, Newport Beach, CA |
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Scope International Art Fair, Bonelli Contemporary, New York, New York |
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Re:flux, Galerie Sans Nom, Moncton, NB, Canada |
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Pretty Baby, Off-Space Gallery @ ArtEngine Gallery, San Francisco, CA, curated by Kathrine Worel |
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All That Heaven Allows, Bonelli Contemporary, Los Angeles, CA, curated by Lisa Tchakmakian |
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2007 |
Aqua at Art Miami Basel, Lisa Dent Gallery, Miami, FL |
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And the Sign Flashed Out its Warning, Pleasure Dome, Toronto, ON, curated by Jon Davies |
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Rencontres Internationales Paris 2007, Pompidou Centre, Paris, France. |
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Chain Reaction, Garage Biennial and ArtEngine Gallery, San Francisco, CA, curated by Kathrine Worel and Victor Barbieri |
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It’s a Wonderful Life, Owens Art Gallery, Mount Saint Vincent University, Sackville, NB |
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Big
Secret Cache, Angstrom Gallery, Los Angeles, CA curated
by Kristin Calabrese and David Quadrini |
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Lisbon
International Independent Film Festival, Lisbon, Portugal |
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BANANAS!!!!!,
Fanelli’s, Soho, New York, NY, curated by Bob Linder |
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Faction,
CCA Wattis Gallery Playspace, San Francisco, CA, magazine inc. |
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Shared
Women, LACE- Los Angeles Contemporary Exhibitions, Los
Angeles, CA |
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Rotterdam
International Film Festival, Rotterdam, The Netherlands |
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2006 |
2006
California Biennial, Orange County Museum of Art, CA.
Curtated by Elizabeth Armstrong, Karen Moss and Rita Gonzalez.
(Catalog) |
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Flaunt,
Los Angeles Contemporary Exhibitions (LACE), CA (auction and exhibition) |
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Ridykeoulous,
Participant, Inc, New York, NY. Curated by A.L. Steiner and Nicole
Eisenman |
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Video
Artists in Dialogue,The Hudson Valley Center for Contemporary
Art, NY. Curated by Daniel Fuller. |
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Death
by Tealight, ATA, San Francisco, CA curated by Claudia
Mendoza, Catherine Czacki, and Maggie Foster. (traveling) |
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2005 |
The
Bonds of Love, John Connelly Presents, New York, NY,
curated by Lisa Kirk. (Catalog) |
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MFA
Exhibition, Diego Rivera Gallery, San Francisco Art Institute,
CA |
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2004 |
Murphy
Cadogan Award Exhibition, San Francisco Arts Commission
Gallery, CA |
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Supernatural,
Southern Exposure Gallery, San Francisco, CA (auction and exhibition) |
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(Like) a Virgin , Easternedge Gallery, St. John’s,
Newfoundland, Canada. Curated by Andrea Cooper |
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Fieldtrip,
Steveson Blanche Gallery, Cal Arts, Los Angeles. Organized by
Chris Thorson |
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2003 |
Nightmoves,
New Langton Arts, San Francisco, CA |
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Crash,
Southern Exposure Gallery, San Francisco, CA. video screening
curated by Anthony Discenza |
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Cohorts,
Khyber Center for the Arts, Halifax, Nova Scotia, collaboration
with Tashia Friesen as part of an invitational for collaborative
work in association with Ladyfest |
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Madcat
Film Festival, San Francisco, CA. curated by Ariella
ben Dov |
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Rencontres
International Paris/Berlin, various venues, France and
Germany, film and media festival. |
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Form
(less), Diego Rivera Gallery, San Francisco Art Institute,
California.curated Miki Yoshimoto |
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Blue,
Swell Gallery, San Francisco, CA |
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Once
Upon a Time, Swell Gallery, San Francisco, CA. Curated
by Kathleen Quillian. |
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2002 |
Boy
/ Girl, Blinding Light Cinema, Vancouver, BC. Curated
By Kim Dawn and Scott Russell |
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Antimatter
Film Festival, Victoria, BC, Canada |
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The
Devil's Workshop, Mount Saint Vincent University Art
Gallery, Halifax, Nova Scotia. Curated by Sarah Hollenberg and
Spencer Ramsay. |
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Dirty
Knees- Look at These, University of Florida Art Gallery,
Gainesville, and University of Arizona Art Gallery, Phoenix, AZ,
curated by Christine Dehne and Josh Gravholtz |
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Signal
and Noise, Video In, Vancouver, Brittish Columbia, Canada.
Curated by Jen Weil. |
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The
Red Show, Argyle Fine Art, Halifax, Nova Scotia. Curated
by Renee Forestall. |
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2001 |
Women
Artists of the Nova Scotia Art Bank, Lieutenant Governor's
residence, Halifax, Nova Scotia, Canada |
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Annual
Vancouver Videopoem Festival, Cinema Pacifique, Vancouver,
BC, Canada |
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Alpha
Chalk Exhibition, Argyle Fine Art, Halifax, Nova Scotia,
Canada |
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2000 |
Detonator,
Saw Gallery, Ottawa, Ontario, Canada. Curated by Laura Margita
and Marcus Miller. |
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New
Video, Nova Scotia College of Art and Design, Halifax,
Nova Scotia, Canada. Curated by Craig Moore |
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Springtime
Video, Van Gallery, Concordia University, Montreal, Quebec,
Canada. Curated by Warren Auld. |
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1999 |
Every
Kind of Love (or Maybe Just my Kind of Love), Anna Leonowens
Gallery, Halifax, Canada. Curated by Sarah Hollenberg |
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1999 |
Flags,
Anna Leonowens Art Gallery, Halifax, Nova Scotia, Canada. Curated
by Dan Turner. |
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| Awards |
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2007 |
Struts Gallery Open Studio Residency |
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2004 |
Murphy Cadogan
Graduate Fellowship for the Arts, San Francisco Foundation |
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2002 |
Nova Scotia
Arts Council Grant, Professional Development |
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2002 |
Cinemateque
Award,(Audience Choice), Annual Vancouver Videopoem Festival |
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2001 |
Nova Scotia
Arts Council Grant, Creation |
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2001 |
Struts Gallery
Open Studio Residency, 2001 |
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2001 |
Nova Scotia
Arts Council Grant, Professional Development |
| Collections |
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Orange County Museum of Art, Newport Beach, CA, USA |
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Richard Weisman
Collection, Seattle, WA, USA |
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Nova Scotia
Art Bank, Provincial Government, Canada |
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Nova Scotia
College of Art and Design, Halifax, Nova Scotia |
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Private Collections,
USA, Canada, Germany, France |
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| Articles
/ Publications |
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Brooks, Amra, “Must See Art.” LA Weekly, March 16, 2007 |
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Schmidt, Kirsten. “Poetic Vision and Abundant Culture.” NYArts Magazine, December, 2006 |
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Pincus, Robert L. “California Freshness.” San Diego Union Tribune, October 26, 2006 |
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Shana Nys Dambrot, “2006 California Biennial.” Art Ltd, January 2007 |
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Douglas,
Theo. “Let’s Talk About Us.” OC Weekly, October
5, 2006 |
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Chang, Richard.
“Art of the State.” The OC Register, October 8, 2006 |
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Gale, Zachary.
“OCMA Celebrates Biennial.” New University Online.
October 2, 2006 |
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Wong, Martin.
“Three of 31.” Giant Robot Magazine Blog, October
2, 2006 |
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Chin, Jit
Fong. “California Biennial – Fun.” SqueezeOC,
October 3, 2006 |
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Kraus, Chris.
“Destroyer” C Magazine International, Winter 2006 |
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Hopkins,
Randi. “Forty Whacks”, The Boston Phoenix, March 14,
2006 |
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Kraus, Chris.
“The Bonds of Love” exhibition catalogue, 2005 |
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Cooper, Andrea.
“(Like) a Virgin”. exhibition catalogue. March 2004 |
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Hollenbertg,
Sarah. “The Devil’s Workshop”. ABC Books. exhibition
catalogue. May 2000 |
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Quinlan,
Kathleen. “The Narrative Reconsidered”. Exhibition
essay April 2003 |
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Kansas, Jane.
"The Red Show". The Coast, Feb 7 2002 |
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Hollenberg,
Sarah. "Goody-B. Wiseman : Recent Work". ArtsAtlantic,
Winter 2001/2002, no.70 |
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Bernard,
Elissa. "Up Close and Personal: Wiseman's Work a Dialogue
Between Language and Art". Chronicle Herald, Halifax, Nova
Scotia, Canada. October 21, 2001 |
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Wigney, Allen.
"Everyday People". X press, Ottawa, Ontario, Canada.
June 22, 2000, issue 366 |
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Clark, David.
"Ghosts of an Exquisite Corpse". In LUX: Video Art of
the 1990’s, ed. Steve Reinke. YYZ Books, Toronto, Ontario,
Canada. June 2000. |
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Wawzonek,
Donna. "Eyelevel 50-50 Show". The Coast, Halifax, Nova
Scotia, Canada. December 1999 |
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| Lectures
/ Panels / Speaking Engagements |
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Visiting Artist Lecture, Nova Scotia College of Art and Design, 2007 |
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Performance
and Lecture, Orange County Museum of Art, California, 2006 |
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"New
Genres 1", San Francisco Art Institute, lectures and presentations,
2004-2003 |
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"Narcissism,
Nepotism, Narrative, and Video", Nova Scotia College of Art
and Design, Presentation and Screening, 2001 |
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"Digital
Territologies", Nova Scotia College of Art and Design, Guest
Lecturer, 2001 |
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"Hyper-Feminine",
Struts Gallery, Artist Presentation, 2001. |
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"(Development
of Performance Everywhere)", Owens Art Gallery/Struts Gallery
Conference and performance symposium, panel member, 2000 |
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"Art
Now", Nova Scotia College of Art and Design, Guest Artist
Presentation to Garry Neil Kennedey’s class 2000 |
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"Free
Kittens", artist talk, Anna Leonowens Gallery, 2000 |
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"The
Ladies Auxiliary: New Strategies in Feminist Art", Khyber
Center for the Arts, Panel discussion, 1999. |
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"Superlovestarpower",
artist talk, Anna Leonowens Gallery, 1999 |
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| Publications |
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“Terriblisma
and the Art of Candice Lin and Alice Catteneo.” C Magazine
International, Winter 2005 |
| Editions |
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Lithographs:
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"List
of Complaints" ed. of 50 |
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"The
Stupid Things I Said" ed. of 50 |
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"No
More Drinking, No More Long Distance Calls" ed. of 20 |
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"My
Pretty Red Heart" ed. of 20 |
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C-Prints |
"2086
Gottingen Street, apartment 3, Halifax, Nova Scotia, on March
14, 2003" ed of 10 |
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"Lexicon
for the Emotionally Intelligent: The Worst Feelings" ed.
of 4 |
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"Lexicon
for the Emotionally Intelligent: Two Lovers Drunk" ed. of
4 |
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"Lexicon
for the Emotionally Intelligent: Getting Away" ed. of 4 |
| Videography |
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- 2006
Sounds of Silence
- 2006
Tapestry
- 2006
Plastic Ono Band
- 2006
Feral Children
Suite: Badger Boy the Terrible,Gazelle Girl of Woonsocket,
L'Enfant Terrible de Bonnie Brae, and Coyote Kid of North
Attleboro
- 2006
Predetor/Prey
- 2004
Fucked Fucked Totally Fucked
- 2003
Illuminated Lexicon (multi channel)
- 2003
Postcards
- 2003
Dear Jim
- 2003
Hateful World
- 2003
Fast Deluxe and Cheap
- 2003
Dumb Dog Smile ( or How I Became a Repugnant Apparition)
- 2003
Being the Child Who Was Returned
- 2003
You Slept Late
- 2003
Lips Clamped Shut
- 2002
Morphology of the Faint
- 2002
There’s No Reason to be Happy
- 2002
Good-gets-wants
- 2002
Samsara
- 2002
Keeping Warm
- 2003
Beginner's Curse for Sluts and Psychopaths
- 2002
Keeping Her Cool
- 2001
Ogling
- 2001
Kiddy Porn and Terrorism
- 2001
Porno
- 2000
The Girl Next Door Tapes
- 1999
Me and Julia Kristeva
- 1999
Paul and Paulette
- 1998
Pretty Smart
Some videos
distributed by Video-out, Vancouver, British Columbia, Canada |
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